The title, "Lisipo Hermes Atandose la Sandalia" – Lysippos' Hermes Tying His Sandal – evokes an image of effortless grace and quiet dignity. While the original bronze sculpture by the celebrated fourth-century BC Greek sculptor Lysippos is lost to time, its enduring influence resonates through countless copies and adaptations, offering a glimpse into the artistry and cultural significance of this seemingly simple subject. This article will delve into the surviving echoes of Lysippos' masterpiece, focusing particularly on the Louvre copy exhibited at the Musée Matisse in Le Cateau, exploring its unique perspective, comparing it to other known representations, and considering the broader context of Hermes sandals and their representation in statuary.
The Musée Matisse in Le Cateau-Cambrésis houses a Roman marble copy of Lysippos' *Hermes Atandose la Sandalia*, a work that, despite its derivative nature, offers invaluable insight into the original's composition and aesthetic. This particular copy, likely created during the Roman imperial period, is significant not only for its existence but also for its unique vantage point. Unlike many other known copies which present a frontal or three-quarter view, the Musée Matisse version presents a rear view of Hermes, offering a perspective rarely seen in surviving representations of the subject. This back view allows us to appreciate the sculptor’s meticulous attention to detail in rendering the musculature of Hermes' back and legs, the subtle folds of his chiton (tunic), and the dynamic interplay between the figure and the implied action. The pose itself, even from the back, conveys a sense of relaxed yet poised alertness, a characteristic often associated with Lysippos' style. The careful rendering of the drapery, clinging to the contours of the body, subtly reveals the form underneath, showcasing a mastery of anatomical accuracy and artistic restraint.
The significance of viewing Hermes from the back cannot be overstated. Most surviving representations focus on the action of tying the sandal – a seemingly mundane act elevated to an artistic statement through Lysippos' skill. The back view, however, shifts the focus. It allows us to appreciate the sculptural form as a whole, to understand the weight distribution, the subtle counterpoise of the figure, and the overall elegance of the pose. It’s a testament to the sculptor's understanding of human anatomy and his ability to create a compelling image even without the explicit narrative of the sandal-tying gesture. This perspective offers a fresh interpretation of the piece, challenging the viewer to engage with the sculpture on a purely formal level, appreciating the beauty of the human form independent of the narrative context.
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